Camille Paglia, whom I name as the world’s greatest living female writer, just in front of music critic Amanda Petrusich, is fixated on opposites. Particularly, she tackles Greek mythology tenaciously, and everything, to her, is either “Apollonian” or “Dionysian.” Rock and roll, she says, she likes for its combination, its meshing of these two extremes … Continue reading “This is America: We Call Each Other By Our Last Names Here, Like It’s Military Combat”